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Monday, December 14, 2009

down time


it's amazing that down time busier than when I'm doing a show. the teen theatre program is in full swing. heading towards a January 22 and 23rd production date. I'm heading to Chicago for a reading of Carlye Brown's new play "Dartmoor Prison" structuring the summer program for PHT and preparing for upcoming trips to Venezuela and Brazil. AS i finish up my Fellowship year with TCG, I'm trying to figure where God has me heading. oh and did i mention fences at Seattle rep?
Wednesday, November 11, 2009

Othello's occupation's gone!


after a long hard, enjoyable and frustrating 2 months we're done. i asked for the opportunity and got it. "thank you God" i learned a great deal about theatre. people and what makes an artist. thank you to everyone involved in the journey. on ward and upward to teen theatre programing and eventually back to troy maxon.
Tuesday, November 3, 2009

I have now seen both Othellos | StarTribune.com

I have now seen both Othellos | StarTribune.com

ok now i got it, if i'm natural in my delivery i don't have mastery of the text and if i have the text it's the dreaded shakespearean actor knock oh well as katt williams says " if you ain't got no haters you must not be doing it right!"

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Friday, October 23, 2009

opening thoughts


well we open tonight this has been a long journey and i've learned quite a bit. i've been living othello through the process. as an artist i've found there is a huge difference in how african americans and whites approach the work. in the middle of all of this i often found myself struggling to keep the project on a course to find a more othello-centric approach to our production. while at every junction the traditional iago centric view of the play. yesterday during a talk back after 2 years of discussion. our director stated that he feels iago is the driving engine of the play. no wonder i'm exhausted. i understand how the show ends up as it does. when you start outlooking to protect ancillary relationships you lose the story. class, race, age and sex play huge roles in disintegration on this star-crossed couple. if you've ever been the "other" it's nearly impossible to understand the effect it plays on your thought process and what battles you choose to fight. i've never had that manifest itself as strongly as in this process.
Tuesday, October 20, 2009

going to cypress


it was an exciting week of previews, the show has been well received for the most part and now we start school matinees. last night we did an event for the inner sanctum of park square patrons. each of us spoke of our reflections of the play and gave personal insights of our journey. it's obvious that my take is the most visceral of our group. as frustrating as this has been, the opportunity to interact with the patrons here reminds me of centerstages strategy of a solid invested community of subscribers that have a sense of ownership with out attempting to steer the artistic direction of the theatre. and building a expectation of relationship between the jobbed in artists and the supporters. i see it takes the pressure off the AD being the only voice from the artist's end of the process. i enjoyed being a part of it.